CHRISTINA BERTSOS

I just adore working with translucent alabaster because I never know completely what's below the surface of these rugged, rough-looking b...

On my daily walks through the streets of my hometown, Dunedin I often find feathers. I see them as gifts left for me by the birds that li...

Sculpting a piece of stone takes me down many different pathways. I'm confronted with form, space, concept, structure and design. They al...

Each time I step into my studio my senses are enveloped by the history of the place. The aged walls and equipment, the dust covered photo...

If there is one that being an artist represents to me, it is a sense of freedom. In my mind I can create and live anything I imagine. I h...

My earliest memory of making art was in a small corner I carved out as my "own" space in our family living room. Solitude and privacy wer...

Way way back when my friend and I were visiting the Art Institute of Chicago. The east entrance led visitors right into the antiquities e...

Subtractive sculpture is the oldest sculpture there is. It involves removing material to create a form or design. One of the biggest chal...

My mother Mary nurtured my love of art from as early as I can remember. She saved every sketch, drawing, painting or craft that I ever ma...

When working with a piece of stone I'm surrounded by an incredible amount of dust. The once solid, heavy, dense material become weightles...